Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 27, 2017 | Christie's | London | Impressionist & Modern Art Evening Sale | 12 | $****** - ****** | Le faisan |
paintings
49.5 x 65 cm (19.49 x 25.59 in)
oil on canvas
signed ‘Renoir.’ (lower right)
Paul Bérard, Wargemont; his sale, Galerie Georges Petit, Paris, 8-9 May 1905, lot 28 (FFr 3,000).
Alfred Bérard, Paris, by whom acquired at the above sale and until at least 1913.
Jean-Henri Laroche, Paris.
Jacques Laroche, Paris.
Paul Rosenberg, Paris and New York, by 1952.
Walter P. Chrysler, Jr, Provincetown, Massachusetts, by 1958; sale, Sotheby's, London, 1 July 1959, lot 34.
Acquired at the above sale by the family of the late owner.
Paris, Galerie Bernheim-Jeune, A. Renoir, January - February 1900, no. 6.
Paris, Galerie Bernheim-Jeune, Renoir, March 1913, no. 27.
New York, Duveen Galleries, Renoir Loan Exhibition, November - December 1941, no. 28, p. 50 (illustrated).
New York, Seligmann-Helft Galleries, French Still Life from Chardin to Cézanne, October - November 1947.
Paris, Orangerie des Tuileries, La nature morte de l'antiquité à nos jours, April - June 1952, no. 94, p. 119 (illustrated pl. 38).
Portland Art Museum, Paintings from the Collection of Walter P. Chrysler, Jr, March - April 1956, no. 79, p. 48 (illustrated p. 123); this exhibition later travelled to the Seattle Art Museum, April - May 1956; San Francisco, California Palace of the Legion of Honor, June - July 1956; Los Angeles, County Museum, of Art, July - August 1956; the Minneapolis Art Institute, September - October 1956; St Louis, City Art Museum, October - November 1956; Kansas City, William Rockhill Nelson Gallery of Art, November 1956 - January 1957; the Detroit Institute of Art, January - February 1957; and Boston, Museum, of Fine Arts, March - April 1957.
New York, Wildenstein & Co., Loan Exhibition Renoir, April - May 1958, no. 28, p. 42 (illustrated).
Provincetown, Massachusetts, Chrysler Art Museum, Inaugural Exhibition, July - September 1958, no. 49, pp. 26-27 (illustrated p. 89).
Lausanne, Palais de Beaulieu, Chefs-d'œuvre des collections suisses: De Manet a' Picasso, May - October 1964, no. 59 (illustrated).
Paris, Orangerie des Tuileries, Chefs-d'œuvre des collections suisses: De Manet a' Picasso, May - October 1967, no. 58 (illustrated).
London, The Royal Academy, From Manet to Gauguin: Masterpieces from Swiss Private Collections, June - October 1995, no. 57, p. 116 (illustrated).
Martigny, Fondation Pierre Gianadda, Pierre-Auguste Renoir: Revoir Renoir, June - November 2014, no. 23 (illustrated).
M. Bérard, Renoir à Wargemont, Paris, 1938 (illustrated pl. 11).
M. Drucker, Renoir, Paris, 1944, p. 180.
'Lettres de Renoir à Paul Bérard', in La Revue de Paris, December 1968.
F. Daulte, 'Renoir et la famille Bérard', in L'Oeil, vol. 223, nos. 4-13, Paris, February 1974, no. 17, p. 89 (illustrated).
G.P. Dauberville & M. Dauberville, Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles, vol. I, 1858-1881, Paris, 2007, no. 54, p. 144 (illustrated).
signed ‘Renoir.’ (lower right)
oil on canvas
19 1/2 x 25 5/8 in. (49.5 x 65 cm.)
Painted circa 1879
