Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 15, 2019 | Christie's | New York | Impressionist and Modern Art Day Sale | 341 | $****** - ****** | Madame Paul Gallimard |
paintings
81.9 x 66 cm (32.25 x 26 in)
oil on canvas
signed and dated 'Renoir 92.' (lower left)
Paul Gallimard, Paris (commissioned from the artist).
Estate of the artist.
Ambroise Vollard, Paris (acquired from the above).
Ralph Bellier, Paris.
Sam Salz, Inc., New York.
Acquired from the above by the present owner, December 1951.
London, The Leicester Galleries (Ernest Brown & Phillips, Ltd.), Auguste Renoir, 1922.
Paris, Galerie Bernheim-Jeune et Cie., Les portraits par Renoir, 1936.
The Art Institute of Chicago, Masterpieces from Private Collections in Chicago, July-August 1969 (dated 1897).
The Art Institute of Chicago, Paintings by Renoir, February-April 1973, no. 63 (illustrated).
Ottawa, National Gallery of Canada; The Art Institute of Chicago and Fort Worth, Kimbell Art Museum, Renoir's Portraits: Impressions of an Age, June 1997-April 1998, pp. 217-218, no. 52 (illustrated in color, p. 219).
Bernheim-Jeune, ed., L'atelier de Renoir, Paris, 1931, vol. I, no. 55 (illustrated, pl. 22).
F. Holland, "2 Extraordinary Collections Owned by Near N. Siders," Chicago Sun-Times, 2 August 1953, Section 2, p. 7 (illustrated).
S. Saperstein, "Renoir Exhibit Awes Preview Dinner Crowd," Chicago Daily News, 31 January 1973, p. 22 (illustrated in situ at The Art Institute of Chicago).
B.E. White, Renoir: His Life, Art, and Letters, New York, 1984, p. 196 (illustrated).
A. Distel, Renoir: "Il faut embéllir," Paris, 1993, p. 104 (illustrated in color).
W.Z. Silverman, The New Bibliopolis: French Book Collectors and the Culture of Print, 1880-1914, Toronto, 2008, p. 119 (illustrated, p. 120, fig. 4.3).
G.-P. and M. Dauberville, Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles, 1882-1894, Paris, 2009, vol. II, p. 297, no. 1154 (illustrated).
signed and dated 'Renoir 92.' (lower left)
oil on canvas
32 ¼ x 26 in. (81.7 x 66 cm.)
Painted in 1892
