The Arts, vol. XI, May 1927, p. 264 (illustrated; titled Odalisque on a Green Divan).
A.C. Barnes and V. de Mazia, The Art of Henri-Matisse, New York, 1933, pp. 26, 34, 50, 53, 63, 91, 113, 127, 139, 145, 149, 156, 159, 164, 170, 173, 196-197 and 444, no. 152 (illustrated, p. 327; titled Odalisque with Magnolias and dated 1924).
R. Escholier, Henri Matisse, Paris, 1937, p. 137 (titled l'Odalisque au magnolia and dated 1924).
E. Tériade, Verve, vol. I, no. 3, October-December 1938, pp. 78-79 (illustrated).
C. Terrasse, French Painting in the Nineteenth Century, London, 1939, p. 22 (illustrated; titled The Odalisk with Magnolias and dated 1924).
The Studio, vol. CXIX, March 1940, p. 107 (illustrated, p. 106; titled Odalisk with Magnolias and dated 1869).
A.H. Barr, Jr., Matisse: His Art and His Public, New York, 1951, pp. 211-212 (illustrated, p. 440; dated 1924).
E. Tériade, "Matisse Speaks" in Art News Annual, vol. 21, 1952, p. 57 (illustrated in color, pp. 58-59).
P.F. Millard, "Figure Painting of the Twentieth Century" in The Studio, vol. CXLIII, June 1952, p. 161 (illustrated).
Formes et couleurs, vol. 6, 1953 (illustrated).
J. Guichard-Meili, Matisse, New York, 1967, p. 100, no. 92 (illustrated; titled Odalisque with Magnolias and dated 1924).
M. Luzi and M. Carrà, L'opera di Matisse dalla rivolta "fauve" all'intimismo: 1904-1928, Milan, 1971, p. 103, no. 423 (illustrated; titled Odalisca con Magnolie and dated 1924).
A.H. Barr, Jr., Matisse: His Art and His Public, London, 1975, pp. 211-212 and 440 (illustrated; titled Odalisque with Magnolias and dated 1924).
L. Gowing, Matisse, Norwich, 1979, p. 210, no. 141 (illustrated in color, p. 157).
P. Schneider, M. Carrà and X. Deryng, Tout l'oeuvre peint de Matisse, Paris, 1982, pp. 103-104, no. 423 (illustrated, p. 103).
M. Potter et al., The David and Peggy Rockefeller Collection: European Works of Art, New York, 1984, vol. I, pp. 10, 25, 140 and 255, no. 93 (illustrated in color, p. 254; illustrated again in situ in the Rockefellers' 65th street home, p. 34; titled Odalisque with Magnolias).
P. Schneider, Matisse, London, 1984, p. 527 (dated 1924).
J. Cowart and D. Fourcade, Henri Matisse: The Early Years in Nice, 1916-1930, exh. cat., National Gallery of Art, Washington, D.C., 1986, p. 206 (illustrated in color, pl. 162; titled Odalisque aux magnolias; illustrated again in situ at the Exposition internationale des arts décoratifs et industriels modernes, Paris, 1925, fig. 7).
M. Anthonioz, Verve: The Ultimate Review of Art and Literature (1937-1960), New York, 1988, p. 388 (illustrated, p. 354).
M. Viederman, "Matisse's Nice Period, 1917-1928: A Confrontation with Middle Age" in The Middle Years: New Psychoanalytic Perspectives, New Haven, 1989, p. 282, no. 20 (illustrated, p. 283).
I. Monod-Fontaine, "Henri Matisse" in Actualité des arts plastiques, no. 79, 1989.
J. Flam, "Henri Matisse: Reclining Nude (Bu couché)" in Great French Paintings from The Barnes Collection, New York, 1993, p. 272 (illustrated, fig. 2; titled Odalisque with Magnolias and dated 1924).
H. Herrera, Matisse: A Portrait, Orlando, 1993, pp. 148-149 (illustrated in color, pl. 23).
G.-P. and M. Dauberville, Matisse, Paris, 1995, vol. II, p. 1164, no. 588 (illustrated, p. 1165).
J. Flam, Matisse and Picasso: The Story of Their Rivalry and Friendship, Cambridge, M.A., 2003, p. 131 (illustrated, fig. 7.6).
M. Brennan, Modernism's Masculine Subjects: Matisse, The New York School, and Post Painterly Abstraction, Cambridge, 2004, pp. 28-30 (illustrated, p. 29, fig. 1.9; titled Odalisque with Magnolias).
R. Neely, Matisse et la couleur des tissus, exh. cat., Musée departemental Henri Matisse, Le Cateau-Cambrésis, 2004, p. 41 (illustrated in color, fig. 26).
H. Spurling, Matisse: The Life, 2009 (illustrated, fig. 17; titled Odalisque with Magnolias and dated 1923-1924).
S.N. Blum, Henri Matisse: Rooms with a View, New York, 2010, p. 118 (illustrated in color, fig. 81).