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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Feb 6, 2013 | Christie's | London | Impressionist/Modern Evening Sale | 10 | $****** - ****** | Jeune fille à la mauresque, robe verte |
paintings
66 x 55 cm (25.98 x 21.65 in)
oil on canvas
signed 'Henri Matisse' (lower left)
Galerie Bernheim-Jeune, Paris (no. 22971), by whom acquired directly from the artist on 13 February 1922. Marcel Kapferer, Paris, by whom acquired from the above on 23 April 1923. Galerie Druet, Paris. Mrs E.A. Workman, London, by whom acquired in 1927. Etienne Bignou, Paris. Valentine Dudensing, New York. Lillie P. Bliss, New York, by whom acquired from the above in 1929. The Museum of Modern Art, New York, bequeathed by the above in 1931
their sale, Parke-Bernet Galleries, New York, 11 May 1944, lot 83. Acquired at the above sale by the family of the present owner.
Paris, Galerie Bernheim-Jeune, Henri Matisse, February - March 1922, no. 20. Paris, Chambre Syndicale de l'Antiquité des Beaux Arts, Première exposition des collectionneurs, organisée au profit de la Societé des Amis du Luxembourg, 1924, no. 120. New York, The Museum of Modern Art, Memorial Exhibition: The Collection of Miss Lillie P. Bliss, May - September 1931, no. 94 (illustrated). Andover, MA, Addison Gallery of American Art, The Collection of Miss Lillie P. Bliss, October - December 1931, no. 72. Indianapolis, John Herron Art Institute, Modern Masters from the Collection of Miss Lillie P. Bliss, January 1932, no. 68 (illustrated). New York, The Museum of Modern Art, The Lillie P. Bliss Collection, May - September 1934, no. 45 (illustrated). Paris, Petit Palais, Les maîtres de l'art indépendent 1835-1937, June - October 1937, no. 5. Saratoga Springs, Skidmore College, Exhibition of Modern French Paintings, February 1942, no. 21. New York, The Museum of Modern Art, New York Private Collections, June - September 1951. East Hampton, NY, Guild Hall, 19th Century Influences in French Painting, August - September 1952, no. 25. Paris, Musée national d'Art moderne, Henri Matisse, exposition rétrospective, July - November 1956, no. 60 (illustrated pl. 26). New York, M. Knoedler & Co., The Colin Collection, April - May 1960, no. 18 (illustrated). London, The Hayward Gallery, Matisse, July - September 1968, no. 89 (illustrated p. 118). Paris, Grand Palais, Henri Matisse, exposition du centenaire, April - September 1970, no. 169 (illustrated p. 229). New York, Acquavella Galleries, Henri Matisse, November - December 1973, no. 24 (illustrated). Washington D.C., the National Gallery of Art, Henri Matisse, The Early Years in Nice, 1916-1930, November 1986 - March 1987, no. 105, p. 309 (illustrated pl. 121). New York, The Museum of Modern Art, Henri Matisse, A Retrospective, September 1992 - January 1993, no. 253, p. 292 (illustrated p. 327).
Galerie Bernheim-Jeune, ed., Nice 1921 - Seize reproductions d'après les tableaux de Henri Matisse, Paris, 1922, no. 12. R. Fry, 'La peinture moderne en France', in L'amour de l'art, no. 5, Paris, May 1924, p. 150 (illustrated). H. McBride, Matisse, New York, 1930 (illustrated pl. 35). L. Goodrich, 'In the Galleries', in The Arts, vol. 16, no. 5, January 1930, p. 339 (illustrated). 'Henri Matisse', in Les Chroniques de Jour, April 1931 (illustrated pl. 15). J. Rowe, 'Exhibitions', in International Studio, vol. XCIX, no. 409, June 1931, p. 62 (illustrated p. 41). E. Joseph, Dictionnaire biographique des artistes contemporains, vol. II, Paris, 1931, p. 469 (illustrated). C. Zervos, et al., Matisse, Paris, 1931, p. 80 (illustrated). S. Cheney, Expressionism in Art, New York, 1934, p. 265 (illustrated). P. Courthion, Henri Matisse, Paris, 1934 (illustrated pl. 37). R. Kawashima, Matisse, Tokyo, 1936 (illustrated). R. Escholier, Henri Matisse, Paris, 1937, p. 73 (illustrated). Coronet, July 1938 (illustrated p. 13). Notable Paintings and Sculpture..Property of The Museum of Modern Art, New York, 11 May 1944, no. 83 (illustrated p. 49). S.A. Lewisohn, 'Is there Chaos in Art?', in The New York Times Magazine, 4 March 1945, p. 19. P. Zucker, Styles in Painting, New York, 1950, p. 257 (illustrated fig. 208). A.H. Barr, Jr., Matisse: His Art and His Public, New York, 1951, p. 210. H. McBride, 'Rockefeller, Whitney, Senior, Odets, Colin', in Art News, vol. 50, no. 4, June - August 1951, p. 36 (illustrated). G. Diehl, Henri Matisse, Paris, 1954, p. 75. D.G. Seckler, 'Gallery Notes, Preview of 1960', in Art in America, vol. 47, no. 4, 1959, p. 101 (illustrated). J. Thrall Soby, Paintings, Watercolors, Drawings and Sculpture Collected by Mr. and Mrs. Ralph F. Colin, New York, 1960, no. 18 (illustrated). M. Luzi & M. Carrà , Matisse, dalla rivolta 'fauve' all'intimismo. 1904-1928, Milan, 1971, no. 349, p. 100 (illustrated p. 349 & pl. LV). L. Gowing, Matisse, London, 1979, no. 132, p. 147 (illustrated). P. Schneider, M. Carrà & X. Derying, Tout l'oeuvre peint de Matisse 1904-1928, Paris, 1982, no. 349 (illustrated). P. Schneider, Matisse, Paris, 1984, no. 29, pp. 382, 452 & 508 (illustrated p. 505). N. Watkins, Matisse, Oxford, 1984, p. 159 (illustrated pl. 137). G.P. & M. Dauberville, Matisse, Paris, 1995, no. 512, p. 1060 (illustrated). P. Schneider, Matisse, Paris, 2002, p. 508 (illustrated p. 505).
