André Level, Picasso, Paris, 1928, illustration of another impression pl. 50 Wilhelm Boeck & Jaime Sabartés, Picasso, London, 1952, illustration of another impression p. 368; Alberto Moravia & Paolo Lecaldano, Lâopera completa di Picasso blu e rosa, Milan, 1968, illustration of another impression p. 86; André Fermigier, Picasso, 1969, no. 27, illustration of another impression p. 45; Cesareo Rodriguez-Aguilera, Picassos de Barcelona, Barcelona, 1974, no. 43, illustration of another impression p. 60; Timothy Hilton, Picasso, London, 1975, no. 22, illustration of another impression p. 39; Felix A. Baumann, Pablo Picasso. Leben und Werk, Stuttgart, 1976, no. 36, illustration of another impression p. 25; Pablo Picasso. Werke aus der Sammlung Marina Picasso (exhibition catalogue), Haus der Kunst, Munich, 1981, illustration of another impression p. 38; Georges Bloch, Pablo Picasso, Catalogue de lâÅuvre gravé et lithographié, 1904-1967, Bern, 1984, vol. I, no. 1, illustration of another impression p. 21; Timothy Hilton, Picasso, London, 1985, no. 166, illustration of another impression p. 225; John Richardson, A Life of Picasso, London, 1988, illustration of another impression p. 301; Brigitte Baer & Bernhard Geiser, Picasso peintre-graveur, Bern, 1990, vol. I, no. 2, illustration of another impression pp. 18-20; Carsten-Peter Warncke & Ingo F. Walther (ed.), Pablo Picasso 1881-1973, Cologne, 1991, illustration of another impression p. 108; Anatoly Podoksik, Pablo Picasso. The Creative Eye (from 1881 to 1914), Bournemouth, 1996, illustration of another impression p. 50; Marilyn McCully (ed.), A Picasso Anthology â Documents, Criticism, Reminiscences, London & Princeton, 1997, illustration of another impression p. 48; Brigitte Léal, Christine Piot & Marie-Laure Bernadac, The Ultimate Picasso, New York, 2000, no. 143, illustration of another impression p. 74Heinz Berggruen, Monsieur Picasso und Herr Schaften, Berlin, 2001, illustration of another impression p. 9; R. Stanley Johnson, Pablo Picasso. Works on Paper â Historical Perspectives, Chicago, 2004, no. 2, illustration of another impression p. 25; Marilyn McCully, Picasso in Paris 1900-1907, London, 2011, illustration of another impression pl. 76; Stephen Coppel, Picasso Prints â The Vollard Suite, London, 2012, illustration of another impression in colour p. 13