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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 23, 2014 | Sotheby's | London | Impressionist & Modern Art Evening Sale | 45 | $****** - ****** | Nu Aux Souliers Roses |
paintings
73 x 59.5 cm (28.74 x 23.43 in)
oil on canvas
signed H. Matisse (upper right); signed Matisse on the reverse
Jean Puy, Paris (acquired from the artist in 1903 until at least 1949) Katia Granoff, Paris (acquired by 1951)
Paul Haesaerts, Brussels
Georges Daelemans, Uccle & Brussels (acquired in 1956)
Galerie Beyeler, Basel
A European Foundation (acquired from the above in 1981. Sold: Christie's, London, 27th November 1989, lot 25)
Purchased at the above sale
Paris, Grandes Serres, Société des Artistes Indépendants, 19e Exposition, 1903, no. 1670 (titled Ãtude) Paris, Galerie Bernheim-Jeune, Henri Matisse, 1910, no. 16 (titled Ãtude and as dating from 1902); Paris, Galerie de France, Les Fauves, 1942, no. 26 (titled Le modèle à contrejour and as dating from 1900); Lucerne, Musée des Beaux-Arts, Henri Matisse, 1949, no. 23 (titled Négresse and as dating from 1902); Paris, Musée National d'Art Moderne, Le Fauvisme, 1951, no. 92 (titled Nu); Paris, Musée National d'Art Moderne, Henri Matisse. Exposition rétrospective, 1956, no. 6; Paris, Galerie Charpentier, Les Fauves, 1962, no. 92, illustrated in the catalogue; Paris, Musée National d'Art Moderne & Munich, Haus der Kunst, Le Fauvisme français et les débuts de l'Expressionnisme allemand, 1966, no. 83, illustrated in the catalogue; Mechelen, Cultureel Centrum Burgemeester Antoon Spinoy, Fauvisme in de Europese Kunst, 1969, no. 70, illustrated in colour in the catalogue; Paris, Grand Palais, Henri Matisse, 1970, no. 35, illustrated in the catalogue; Zurich, Kunsthaus Zürich & Düsseldorf, Städtische Kunsthalle, Henri Matisse, 1982-83, no. 6, illustrated in colour in the catalogue; Zurich, Kunsthaus Zürich (on loan 1982-1989); Basel, Kunstmuseum Basel, Transform. Bild Objekt Skulptur im 20. Jahrhundert, 1992, no. 5, illustrated in colour in the catalogue; New York, The Museum of Modern Art, Henri Matisse - A Retrospective, 1992-3, no. 31, illustrated in colour in the catalogue; Mexico, Centro Cultural Arte Contemporaneo, Gustave Moreau y su legado, 1994-95, no. 40, illustrated in colour in the catalogue; Madrid, Museo Thyssen-Bornemisza, Miradas sin Tiempo. Dibujos, Pinturas y Esculturas de la Colección Jan y Marie-Anne Krugier-Poniatowski, 2000, no. 206, illustrated in colour in the catalogue; Madrid, Museo Thyssen-Bornemisza, Forma. El ideal clásico en el arte moderno, 2001-02, no. 4, illustrated in colour in the catalogue; Vienna, Albertina, Goya bis Picasso. Meisterwerke der Sammlung Jan Krugier und Marie-Anne Krugier-Poniatowski, 2005, no. 109, illustrated in colour in the catalogue; Düsseldorf, Kunstsammlung Nordrhein-Westfalen, Henri Matisse. Figur Farbe Raum, 2005-06, no. 18, illustrated in colour in the catalogue; Munich, Kunsthalle der Hypo-Kulturstiftung, Das Ewige Auge - Von Rembrandt bis Picasso. Meisterwerke aus der Sammlung Jan Krugier und Marie-Anne Krugier-Poniatowski, 2007, no. 147, illustrated in colour in the catalogue; Baden-Baden, Museum Frieder Burda, Die Skulpturen der Maler, 2008, no. 48, illustrated in colour in the catalogue; Vienna, Albertina, Matisse and the Fauves, 2013-14, no. 8, illustrated in colour in the catalogue
Alfred H. Barr Jr., Matisse: His Art and His Public, New York, 1951, illustrated p. 303 (titled The Model) Gaston Diehl, Henri Matisse, Paris, 1958, illustrated in colour pl. 14; Massimo Carrà , L'Opera di Matisse dalla rivolta 'fauve' all'intimismo 1904-1928, Milan, 1971, no. 14, illustrated p. 86; Donald E. Gordon, Modern Art Exhibitions 1900-1916, Munich, 1974, listed pp. 66 & 376; John Elderfield, The 'Wild Beasts', Fauvism and its Affinities (exhibition catalogue), The Museum of Modern Art, New York, 1976, illustrated p. 22; Pierre Schneider, Matisse, London, 1984, mentioned pp. 140 & 148; Jack Flam, Matisse, The Man and His Art 1869-1918, London, 1986, illustrated p. 83; Pierre Schneider, Matisse, Paris, 2002, mentioned p. 168
