Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 20, 2018 | Christie's | London | Impressionist and Modern Art Evening Sale | 29b | $****** - ****** | Oliviers à Collioure |
paintings
45.7 x 55.3 cm (17.99 x 21.77 in)
oil and black ink on canvas
signed ‘H. Matisse’ (lower center)
The artist’s estate.
Jean Matisse, Paris, by descent from the above, until circa 1962.
Galerie Beyeler, Basel (no. 3790).
Pietra Campili, by whom acquired from the above, in 1965; sale, Sotheby’s, London, 26 June 2001, lot 11.
Acquired at the above sale by the present owner.
Lucerne, Musée des Beaux-Arts, Henri Matisse, July - October 1949, no. 32, p. 28 (dated '1906').
Albi, Musée Toulouse-Lautrec, Exposition Henri Matisse, Peintures, dessins, gouaches, sculptures, gravures, July - September 1961, no. 5, p. 17 (dated ‘1906’).
Paris, Galerie Charpentier, Les Fauves, 1962, no. 99, n.p..
A. H. Barr, Matisse, His Art and His Public, New York, 1951, p. 318 (illustrated).
G. Marchiori, Matisse, New York, 1967, no. 10, p. 133 (illustrated p. 15).
M. Luzi, L’opera di Matisse, dalla rivolta ‘fauve’ all’intimismo, 1904-1928, Milan, 1971, no. 36, p. 86 (illustrated p. 87).
J. Flam, Matisse, The Man and His Art, 1869-1918, New York, 1986, pp. 124-125 (illustrated p. 127; titled ‘Madame Matisse in the Olive Grove’).
Exh. cat., Henri Matisse: A Retrospective, New York, 1992, p. 53 (illustrated fig. 27; titled 'Mme Matisse in the Olive Grove' and dated '1905').
Exh. cat., Matisse-Derain: Collioure 1905, un été fauve, Céret, 2005, no. 118, n.p. (illustrated; titled ‘Madame Matisse dans les oliviers’).
R. Labrusse & J. Munck, Matisse-Derain, La vérité du fauvisme, p. 200 (illustrated fig. 21, p. 37; titled ‘Madame Matisse dans les oliviers II’).
Exh. cat., Matisse: In Search of True Painting, New York, 2012, p. 4 (illustrated fig. 2; titled ‘Madame Matisse in the Olive Grove’).
signed ‘H. Matisse’ (lower center)
oil and black ink on canvas
18 x 21 3/4 in. (45.7 x 55.3 cm.)
Painted in 1905
