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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 12, 2019 | Christie's | New York | Impressionist and Modern Art Evening Sale | 51A | $****** - ****** | Coq |
sculpture
65.4 cm (25.75 in)
bronze with brown patina
numbered and stamped with foundry mark '4/6 C. VALSUANI CIRE PERDUE' (on the left side of the base)
Galerie Louise Leiris, Paris.
Perls Galleries, New York.
Acquired from the above by the late owners, 8 December 1965.
A.H. Barr, Jr., Picasso, Fifty Years of His Art, New York, 1946, p. 182 (another cast illustrated).
D.-H. Kahnweiler, Les Sculptures de Picasso, Paris, 1948, p. 57 (another cast illustrated).
W. Boeck and J. Sabartés, Picasso, New York, 1957, p. 435 (another cast illustrated).
L.G. Buchheim, Picasso: A Pictorial Biography, New York, 1959, p. 97.
G. Donard, "Picasso: Un jeune artiste de 80 ans" in Libération, 28-29 October 1961, p. 42 (plaster version illustrated).
R. Penrose, Picasso Sculptures, New York, 1965 (another cast illustrated, pl. 10).
M. de Micheli, Picasso, New York, 1967, p. 27.
R. Penrose, Picasso: Sculpture, Ceramics, Graphic Work, exh. cat., Tate Gallery, London, 1967, p. 14 (another cast illustrated, p. 45, no. 49).
W. Misfeldt, "The Theme of the Cock in Picasso's Oeuvre" in Art Journal, winter 1968-1969, vol. 28, no. 2, p. 148 (another cast illustrated, fig. 5).
R. Kaufmann, "Picasso's Crucifixion of 1930" in The Burlington Magazine, September 1969, vol. 111, no. 798, p. 560, no. 37 (another cast illustrated).
R. Penrose and J. Golding, eds., Picasso in Retrospect, New York, 1973, p. 145 (another cast illustrated, p. 144, fig. 240).
F.J. Moran, Pablo Ruiz Picasso, Madrid, 1984, p. 25.
E. Cowling and J. Golding, Picasso: Sculptor/Painter, exh. cat., The Tate Gallery, London, 1994, p. 271, no. 86 (another cast illustrated in color, p. 122).
N. Cox and D. Povey, A Picasso Bestiary, London, 1995, p. 82 (another cast illustrated).
P. Daix, Dictionnaire Picasso, Paris, 1995, p. 212, no. I.
A. Sanchez Podadera, A. Romero Marquez and J.C. Jimenez Moreno, Genial Picasso, Malaga, 1996, p. 169.
W. Spies, Picasso: The Sculptures, Stuttgart, 2000, p. 400, no. 134-II (another cast illustrated in color, p. 178; another cast illustrated, p. 355).
J. Palau i Fabre, Picasso: From the Minotaur to Guernica, Barcelona, 2011, p. 130 (another cast illustrated, p. 131, fig. 394).
J. Richardson and D. Widmaier-Picasso, L'Amour Fou: Picasso and Marie-Thérèse, exh. cat., Gagosian Gallery, New York, 2011, p. 285.
numbered and stamped with foundry mark '4/6 C. VALSUANI CIRE PERDUE' (on the left side of the base)
bronze with brown patina
Height: 25 ¾ in. (65.5 cm.)
Conceived in 1932 and cast by 1955
