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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 16, 2018 | Sotheby's | New York | Contemporary Art Evening Auction | 36 | $****** - ****** | Very Good | TRIAD |
paintings
52.4 x 65.7 cm (20.63 x 25.87 in)
oil and enamel on paper mounted on board
signed and dated 48
The artist
Mary Wickware (acquired from the above)
Mr. and Mrs. N. Richard Miller, Stockton, New Jersey
Robert Elkon Gallery, New York (acquired from the above in January 1970)
Mr. and Mrs. N. Richard Miller, Stockton, New Jersey (acquired from the above)
Marlborough Gallery, New York
Private Collection, Milan
Mr. E.V. Thaw, New York
B.C. Holland Gallery, Chicago
Acquired by the present owner from the above in June 1986
Philadelphia, Philadelphia Museum of Art, Philadelphia Collects 20th Century, October - November 1963, p. 28, illustrated
Rome, Marlborough Galleria d'Arte, American Action Painting, April - May 1972
New York, Grey Art Gallery and Study Center, Tracking the Marvelous, 1981, p. 24, illustrated and illustrated on the cover
New York, Acquavella Galleries, Inc., XIX & XX Century: Master Drawings & Watercolors, April - May 1984, no. 31
New York, The Museum of Modern Art; and London, Tate Gallery, Jackson Pollock, November 1998 - June 1999, p. 254, no. 150, illustrated
Chicago, AEL Space; Naples, Center for the Arts; Charleston, Sunrise Museum; Montgomery, Montgomery Museum of Fine Art; Syracuse, Everson Museum of Art; Lubbock, Museum of Texas Tech University; Annapolis, Mitchell Art Gallery, St. John's College; Ottuma, Indian Hills Community College; and St. Paul, Minnesota Museum of Art, New York School and Beyond: Paintings from the Art Enterprises, Limited Collection, January 2001 - February 2003, no. 15
Berlin, Deutsche Guggenheim; Venice, Peggy Guggenheim Collection; and New York, Solomon R. Guggenheim Museum, No Limits, Just Edges: Jackson Pollock Paintings on Paper, January 2005 - September 2006, p. 94, no. 50, illustrated in color
Boston, McMullen Museum, Boston College, Pollock Matters, September - December 2007, p. 32, no. 85, illustrated
Paris, Pinacothèque de Paris, Pollock and Shamanism, October 2008 - February 2009, no. 87
Chicago, National Museum of Mexican Art, Translating Revolution: U.S. Artists Interpret Mexican Muralists, January - August 2010
Flint, Flint Institute of Arts, Then and Now, May - August 2012
Partisan Review 15, no. 9, September 1948, illustrated on the inside front cover
Francis Valentine O'Connor and Eugene Victor Thaw, Eds., Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works, Volume 2: Paintings 1948-1955, New Haven and London, 1978, p. 19, no. 198, illustrated
Serge Guilbaut, How New York Stole the Idea of Modern Art, Abstract Expressionism, Freedom, and the Cold War, Chicago, 1983, no. 20
Ellen G. Landau, Jackson Pollock, New York, 1989, p. 210, illustrated in color
Michael Leja, Reframing Abstract Expressionism: Subjectivity and Painting in the 1940s, New Haven and London, 1993, p. 297, no. 79, illustrated
Patricia Failing, "Do the 'Matter Paintings' Matter?," ARTNews, November 2007, p. 144, illustrated
signed and dated 48
oil and enamel on paper mounted on board
20 5/8 by 25 7/8 in. 52.4 by 65.7 cm.
