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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 2, 2012 | Sotheby's | New York | Impressionist & Modern Art Evening Sale | 39 | $****** - ****** | Portrait De Cézanne |
Works on Paper
53.7 x 43.5 cm (21.14 x 17.13 in)
pastel on paper
Signed Renoir. and dated 80 (upper left)
Acquired at the above sale;
Private Collection, London (sold:
Sotheby's, New York, November 16, 1998, lot 44); British Rail Pension Fund, London (sold:
Sotheby's, London, April 4, 1989, lot 16);
Private Collection, London (acquired at the above sale); Mr. and Mrs. Josef Rosensaft, New York (acquired from the above in 1974 and sold:
Sotheby's, New York, March 17, 1976, lot 8);
Acquavella Galleries, New York; Mr. and Mrs. Henry Ittleson, Jr., New York (acquired by 1955); Mr. and Mrs. Leigh B. Block, Chicago (acquired in 1949); Sam Salz, New York; Durand-Ruel, New York (acquired from the above in 1945); The Art Institute of Chicago (acquired from the above in 1927); Martin Ryerson, Chicago; Durand-Ruel, Paris and New York (acquired at the above sale); Victor Chocquet, Paris (acquired from the artist and sold from the estate: Galerie Georges Petit, Paris, July 1-4,1899, no. 152)
Albert Kostenevich, Hidden Treasures Revealed; Impressionist Masterpieces and Other Important French Paintings Preserved by The State Hermitage Museum, St. Petersburg, New York, 1995, illustrated p. 192;; Nicholas Wadley, ed., Renoir, A Retrospective, New York, 1987, illustrated p. 340; Guy Patrice & Michel Dauberville, Renoir, Catalogue raisonné des tableaux, pastels, dessins et aquarelles, vol. 1, Paris, 2007, no. 617, illustrated p. 589; John Rewald, The Paintings of Paul Cézanne, A Catalogue Raisonné, vol. 1, New York, 1996, illustrated p. 302; Barbara Ehrlich White, Impressionists Side by Side, New York, 1996, discussed p. 269; John Rewald, Cézanne, A Biography, New York, 1986, illustrated p. 125; John Rewald, Studies in Impressionism, New York, 1985, illustrated p. 173; François Fosca, Renoir, Paris, 1985, illustrated p. 150; Barbara Ehrlich White, Renoir; His Life, Art, and Letters, New York, 1984, illustrated p. 102; John Rewald, The History of Impressionism, London, 1973, illustrated p. 475; François Daulte, Pierre-Auguste Renoir, Watercolours, Pastels and Drawings, London, 1959, illustrated pl. 2; John Rewald, ed., Renoir Drawings, New York, 1946, illustrated fig. 12; Charles Terrasse, Cinquante Portraits de Renoir, Paris, 1941, illustrated pl. 20; Claude Roger-Marx, Renoir, Paris, 1933, illustrated p. 83; Georges Grappe, L'Art Vivant, Paris, July 1933, illustrated p. 280; Jules Meier-Graefe, Renoir, Leipzig, 1929, illustrated p. 140; Georges Rivière, "Les Enfants dans l'oeuvre et dans le vie de Paul Cézanne et de Renoir," L'Art Vivant, Paris, 1928, illustrated p. 675; Albert André, Auguste Renoir, Paris, 1928, illustrated pl. 13; Georges Rivière, Renoir et ses amis, Paris, 1921, illustrated p. 39; Ambroise Vollard, "Le Salon de Madame Charpentier," in L'Art et les Artistes, Paris, 1920, no. IV, illustrated p. 164; Ambroise Vollard, Tableaux, pastels et dessins de Pierre-Auguste Renoir, vol.1, Paris, 1918, no. 336, illustrated p. 84; Jules Meier-Graefe, Auguste Renoir, Paris, 1912, illustrated pl. 102; Wynford Dewhurst, Impressionist Painting, Its Genesis and Development, London, 1904, illustrated p. 52
