Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 24, 2014 | Christie's | London | Impressionist / Modern Evening Sale | 7 | $****** - ****** | L'artiste et le modèle nu |
paintings
60 x 73 cm (23.62 x 28.74 in)
oil on canvas
signed 'Henri-Matisse' (lower right)
Galerie Bernheim-Jeune, Paris, by 1921.John Quinn, New York, by whom acquired from the above on 21 September 1921, and thence by descent.Dr & Mrs Harry Bakwin, New York, by whom acquired from the estate of the above in the 1920s.Dr Ruth Morris Bakwin, by descent from the above; her sale; Sothebyâs, New York, 13 November 1985, lot 38.
Acquired at the above sale by the present owner.
Paris, Galerie Bernheim-Jeune, Henri Matisse, October - November 1920.New York, Museum of French Art, Exhibition of works by contemporary French artists, March 1922, no. 83.New York, Joseph Brummer Galleries, Exhibition of Works by Henri Matisse, February - March 1924, no. 8.New York, The Museum of Modern Art, Paintings from New York Private Collections, Summer 1946.New York, Paul Rosenberg & Co., Collectorâs choice, 1953, no. 1 (illustrated).Atlanta, Art Association Galleries, Painting School of France, 1955, no. 45.New York, Wildenstein & Co., Masters of Seven Centuries, Paintings and Drawings from the 14th to 20th Century, 1962, no. 45.Los Angeles, UCLA Art Galleries, Henri Matisse Retrospective, 1966, no. 52 (illustrated p. 84);this exhibition later travelled to Chicago, the Art Institute and Boston, Museum of Fine Arts, no. 80 (illustrated p. 35).New York, Wildenstein & Co., The Dr and Mrs Harry Bakwin Collection, 1967, no. 26, p. 54 (illustrated).Wellesley College, Massachusetts, Jewett Art Center, Nineteenth and Twentieth Century Paintings in the Collection of Dr and Mrs Harry Bakwin, 1967.London, Hayward Gallery, Matisse, 1968, no. 80 (illustrated p. 35).Sydney, Art Gallery of New South Wales, Modern Masters: Manet to Matisse, 1975, no. 69, p. 97 (illustrated); this exhibition later travelled to Melbourne, National Gallery of Victoria and New York, The Museum of Modern Art.Washington D.C., Hirshhorn Museum and Sculpture Garden, âThe Noble Buyerâ: John Quinn, Patron of the Avant-Garde, June - July 1978, no. 52, p. 124 (illustrated).Wellesley, Massachusetts, Jewett Art Center, One Century: Wellesley Families Collect; an exhibition Celebrating the Centennial of Wellesley College, 1978 (illustrated on the front cover of the catalogue).Washington D.C., National Gallery of Art, Henri Matisse: Early Years in Nice 1916-1930, November 1986 - March 1987, no. 57, p. 293 (illustrated pl. 81, p. 130).New York, The Museum of Modern Art, Henri Matisse: A retrospective, September 1992 - January 1993, no. 241, p. 321 (illustrated).Tokyo, Musée national dâart occidental, Henri Matisse, Processus / Variation, September - December 2004, fig. 7, p. 262 (illustrated p. 95).New York, Eykyn-Maclean, Matisse and the Model, October - December 2011, no. 12 (illustrated).
E. Faure, J. Romains, C. Vildrac & L. Werth, Henri Matisse, Paris, 1923, no. 14 (illustrated).V. Barker, 'Notes on Exhibitions', in The Arts, April 1924, no. 19 (illustrated p. 214).J. Quinn, F. Watson & B. Rogers, John Quinn, 1870-1925, collection of paintings, water colors, drawings & sculpture, Huntington, 1926.A.H. Barr, Jr., Matisse, His Art and his Public, New York, 1951, p. 424 (illustrated).C. Greenerg, Henri Matisse (1869-), New York, 1953, pl. 20 (illustrated; dated '1919').J. Leymarie, H. Read & W.S. Lieberman, Henri Matisse, Los Angeles, 1966, no. 52, p. 84 (illustrated; dated '1919').B.L. Reid, The Man from New York, John Quinn and his Friends, New York, 1968, pp. 495 & 502.M. Luzi & M. Carrá, L'Opera di Matisse dalla rivolta 'fauve' all'intimismo 1904-1928, Milan, 1971, no. 290 (illustrated).J. Jacobus, Henri Matisse, New York, 1972, pp. 156-157 (illustrated pl.36).J. Elderfield, The Cut-Outs of Henri Matisse, New York, 1978 (illustrated pl. 17, p. 19).L. Gowing, Matisse, Paris, London, no. 127, p. 210 (illustrated p. 143).N. Watkins, Matisse, New York, 1985, pl. 132, p. 235 (illustrated p. 149).G.-P. & M. Dauberville, Matisse, vol. II, Paris, 1995, no. 349, p. 82 (illustrated).H. Spurling, Matisse, the Master. A life of Henri Matisse: The conquest of colour, 1909-1954, p. 240 (illustrated).S. Neilson Blum, Henri Matisse, Rooms with a view, London, 2010, no. 73, p. 187 (illustrated p. 106).
